July 2, 2003
by Kathy L. Gilbert
The squirming circle of energetic 5-year-olds
fell out of their chairs laughing every time their vacation Bible
school teacher tried to get them to recite their memory verse.
"Wisdom is like a baobab tree: no one person
can encircle it," Earline Clark says, trying again.
Every time she says "baobab" it comes out a little
more mangled than the last time.
"It's bowbob tree!" the children shout in unison
after every mispronunciation.
The kids had it down. Clark, like most of the
grown-ups, was still having trouble with the word at the end of
four days of teaching and learning the new VBS program, "Under the
Baobab Tree," at Edgehill United Methodist Church in Nashville,
Tenn.
Baobab (which is pronounced bow - as in "wow"
- bob) is just one of the African words children learn in the program
written and produced by the United Methodist Publishing House.
The new resource combines the message of the
Gospel of Jesus Christ with African, Caribbean and African-American
traditions.
"In years past, we have had to adapt VBS curriculum
because it didn't reach our children," said the Rev. Diane Luton
Blum, pastor at Edgehill.
"The children really responded in ways that were
far more peaceful and joyful than in years past."
Blum said the curriculum gave the adult leaders,
African American and white alike, the chance to learn about the
culture and experiences of African-American Christians.
"It was enriching for all of us," she says.
The concept for the new curriculum came after
two years of research and a renewed commitment by the Publishing
House to produce "quality, scholarly resources that are relevant
for the African-American community," says Fred Allen, communications
director for the agency.
Marilyn Thornton has been living "Under the Baobab
Tree" since she came on board at the Publishing House last year.
As one of the primary writers, she has overseen the production and
conducted most of the training for the program. She was also on
hand at Edgehill to "beat the drum," teach the songs, direct the
skits and hug the kids.
"As a person who has come out of the black church
all my life and one who has used a whole realm of different materials,
I just did not see the heritage perspective in any of the materials
being produced," she says. She has combined the concept of "standing
on the shoulders of our ancestors" with theology in a way that is
fun and exciting for children as well as adults, she says.
"In so many vacation Bible school programs, the
adults are separate from the children or the adults are not there
at all," she says. She has found churches have wanted to pull the
two groups together, but the thought of writing and figuring out
how to do that on their own was just too daunting a task.
"When they see it all here in this resource,
they are finding that really exciting."
The genesis of "Under the Baobab Tree" came as
a result of partner relationship with a local church in Kansas City,
Mo., Allen says.
St. James United Methodist Church developed and
has been conducting a variation of the traditional VBS called Vacation
Liberation School.
"Our contention at St. James is that Christianity
is a liberation movement," says the Rev. Emmanuel Cleavor, church
pastor. "Jesus introduced his earthly ministry with the words of
Isaiah: 'The spirit of the Lord is upon me. ... He has sent me to
proclaim freedom for the captives ... to release the oppressed (Luke
4:18-19).'"
"Rev. Cleavor really spurred the development
of our program," says Susan Salley, director of New Ventures for
the publishing house. "He told us to focus on liberation. He said
it goes back to history but it all goes back to Jesus Christ."
As research was done for the project it became
clear that the baobab tree was the perfect image to use for the
new curriculum, Thornton said.
In Africa, the baobab is a large tree that grows
in the grassland, which covers about 65 percent of the continent.
For three-fourths of the year, it is leafless and stores water.
Animals and sometimes people live in its large branches. In villages,
it is a place of community gathering.
"I remember the first time I went to Africa and
actually witnessed the baobab tree as the center for gathering,"
Allen says. "I saw children and elders, men and women, all gathering
around the tree during the midday hour to share a meal.
"When you see the richness of how a culture has
taken a part of God's creation and placed it in the center of poverty
and despair and great anguish, it becomes more than a metaphor,"
he says.
In the VBS curriculum, spiritual songs are combined
with contemporary music to build on the heritage theme. Children
play traditional African-American games such as "Little Sally Walker
and Little Johnnie Brown" as well as learn new games like the "Underground
Railroad."
"Underground Railroad" is a version of tag that
gets the players from slavery to freedom.
"You have your stoppers and your helpers," Thornton
says. "Somebody will get free but somebody else is not going to
be free because that is reality."
More than 750 churches have already reviewed
the project, Salley says. The Christian Methodist Episcopal Church,
which has never before endorsed a VBS program, has endorsed "Under
the Baobab Tree," she says. The Disciples of Christ Church as well
as the Presbyterian Church (USA) have also endorsed the program.
Allen says it is important to note that the program
is not exclusively for African Americans.
"It is broad in its information and will help
the whole church see how connected we are in these common human
realities."
United Methodist News Service
Kathy L. Gilbert is a United Methodist News Service news writer
in Nashville, Tenn.
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